Help an independent artist bring to life an animated film where music is the last weapon to reclaim our freedom.

Have you ever felt that music is your only refuge in a world that seems to move too fast, too cold, and too dark?

That is the reality of Baku, a man scarred by unimaginable loss and consuming guilt. In a future world with a cybergrunge aesthetic where a ruthless megacorporation controls governments, resources, and even the thoughts of humanity, hope is a forgotten concept in streets bathed in flickering neon lights and endless rain.

But there is one place the corporation hasn't been able to touch. A sanctuary. A dream. OMNIRIUM.

I want to be completely honest and transparent with you. Behind this massive cyberpunk universe, there is no big studio, massive team, or corporate backing. It’s just me.

My name is Albert Alcazar Triquell. I am an independent creator and a freelancer living in Spain. The reality is that I barely make enough to get by month to month. I have absolutely zero personal budget to fund the animated film that I see so clearly in my head, but OMNIRIUM is my absolute dream and my passion project. I refuse to let it fade away.

In the story of Omnirium, music is the ultimate weapon against the system. In reality, it is my literal blood, sweat, and tears. Every single piece of music you hear in this project every heavy guitar riff, every drum beat, every vocal line, and atmospheric sound is 100% composed, recorded, produced, mixed, and mastered entirely by me.

To match that musical effort on screen without a Hollywood budget, I am doing exactly what the characters in my story would do: hacking the system using available technology. I am animating the visual base of the film using advanced AI video tools. However, every single sequence will be meticulously directed, and all the editing, storytelling, and post-production will be crafted by hand, by me. It will be hundreds of hours of manual work to ensure this universe has a real, human soul.

But even doing it all myself, paying for software subscriptions, rendering servers, maintaining the musical gear, and surviving while dedicating the immense time needed to edit a film takes resources I currently don't have.